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Renaissance Art: A Very Short Introduction (Very Short Introductions) 🔍
Johnson, Geraldine A. Oxford University Press, USA; Oxford University Press, Very short introductions [129], 2007;2005
English [en] · EPUB · 4.5MB · 2021 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
description
Artists like Botticelli, Holbein, Leonardo, Dürer, and Michelangelo and works such as the Last Supper fresco and the monumental marble statue of David, are familiar symbols of the Renaissance. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were women artists and patrons also involved? And what about the "minor" pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This Very Short Introduction answers such questions by considering both famous and lesser-known artists, patrons, and works of art within the cultural and historical context of Renaissance Europe. The volume provides a broad cultural and historical context for some of the Renaissance's most famous artists and works of art. It also explores forgotten aspects of Renaissance art, such as objects made for the home and women as artists and patrons. Considering Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region, the book introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis.
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upload/bibliotik/R/Renaissance Art - Johnson, Geraldine A;.epub
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lgli/Z:\Bibliotik_\28\R\Renaissance Art - Johnson, Geraldine A;.epub
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lgrsnf/Z:\Bibliotik_\28\R\Renaissance Art - Johnson, Geraldine A;.epub
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nexusstc/Renaissance art a very short introduction/8b2c203f814a50a48813e178fa837d0d.epub
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zlib/Society, Politics & Philosophy/Anthropology/Johnson, Geraldine A/Renaissance art a very short introduction_5865214.epub
Alternative author
Geraldine A. Johnson
Alternative publisher
IRL Press at Oxford University Press
Alternative publisher
Oxford Institute for Energy Studies
Alternative publisher
German Historical Institute London
Alternative publisher
Oxford University Press, UK
Alternative edition
Very short introductions, Oxford ; New York, 2005
Alternative edition
United Kingdom and Ireland, United Kingdom
Alternative edition
Oxford University Press USA, Oxford, 2005
Alternative edition
illustrated edition, 2005 jul 28
Alternative edition
May 26, 2005
metadata comments
lg1204144
metadata comments
{"isbns":["0192803549","9780192803542"],"publisher":"Oxford University Press","series":"Very short introductions [129]"}
Alternative description
Artists like Botticelli, Holbein, Leonardo, Durer, and Michelangelo and works such as the Last Supper fresco and the monumental marble statue of David, are familiar symbols of the Renaissance. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were women artists and patrons also involved? And what about the "minor" pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This Very Short Introduction answers such questions by considering both famous and lesser-known artists, patrons, and works of art within the cultural and historical context of Renaissance Europe. The volume provides a broad cultural and historical context for some of the Renaissance's most famous artists and works of art. It also explores forgotten aspects of Renaissance art, such as objects made for the home and women as artists and patrons. Considering Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region, the book introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis.
Alternative description
Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were'mistresses'also involved, such as women artists and patrons? And what about the'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Alternative description
Botticelli, Holbein, Lenardo, Durer, Michaelangelo, who were these artists, why did they produce such memorable works, and how did the original beholders of Renaissance art view them? using vivid examples, this book focusses on canonical and lesser-known artists and works from the Northern and Southern Renaissance.
Alternative description
This book provides a broad cultural-historical context for some of the Renaissance's most famous artists and works of art. It considers both famous and lesser-known artists, patrons and works of art from the period
date open sourced
2020-07-26
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